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The seemingly limitless range of Hong Chau is on display

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The seemingly limitless range of Hong Chau is on display in three films this year, in roles so different that they hardly seem the work of one actor.

In Darren Aronofsky’s “The Whale,” she plays best friend and nurse to Brendan Fraser’s obese shut-in professor, his most regular visitor and assertive caregiver. She desperately, unsentimentally prods him to get healthier, to care about himself.

In Kelly Reichardt’s “Showing Up,” Chau plays the idle landlord and artist colleague of Michelle Williams’ ceramics sculptor. She’s the mellower, more successful envy of Williams’ character, and yet kind of a regular companion.

In Mark Mylod’s haute cuisine black comedy “The Menu,” Chau plays the militant hostess at an exclusive restaurant who delivers some of the film’s most deliciously scathing lines. In the ear of one customer she whispers, “You’ll eat less than you desire and more than you deserve.”

Her performances — each a dazzling highlight in harmony within an ensemble — vary so much in appearance and manner that you can’t help wonder: Who, exactly, is Hong Chau? Is she, herself, like any of these characters? Or none of them?

Even for Chau, it’s not an easy question to answer.

“Maybe my character in ‘Showing Up’ because she’s also an artist,” says Chau. “The feeling of: I’m not in competition with anybody even though the way that other people view it makes you feel this sense that there’s a race, or that you’re not where you’re supposed to be. I think with acting or with Hollywood, there’s always this feeling of being uneasy with where you are in life.”

Since starting out on the David Simon HBO series “Treme” and in Paul Thomas Anderson’s “Inherent Vice,” 43-year-old Chau has cut a unique, sometimes mysterious path through show business, choosing parts deliberately and seamlessly shape-shifting each time. “For a long time, she was such an enigma to me,” Mylod says.

But five years after her breakthrough performance in Alexander Payne’s “Downsizing,” the cluster of films is bringing Chau into view better than ever before, even while she remains maddeningly hard to pin down.

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